trance gets boring quite easily if listened to for extended periods of time. im into some old school funky house at the moment, the likes of gat decor- passion, de'lacy-hideaway and strike -u sure do.
I've an 8 hour Markus Schulz set here if you want to try and disprove that (or prove it, in some peoples cases!)
Corsten was mentioned (Moonman - Galaxia) anyway; Picotto had some stompers - Iguana, Proximus, etc.
the best trance dj around at the moment is defintely got to be Simon Patterson
Used to the Renaissance collections.
The 10th Anniversary Edition is pretty damn gorgeous also.
That is not trance, its great. Please call it good progressive house.
Trance is nearly all shit and enjoyed by clueless people who dress in illuminous clothing and wave glow sticks.
That is not trance, its great. Please call it good progressive house.
Sasha and Digweed played trance in the early nineties before it turned totally shit. Trance music post 1996 makes me want to vomit, its awful.
Both of them produced trance post 1996, let alone just playing it. In the early 90s Sasha at least played house...
You have a massive chip on your shoulder and completely unfounded preconceptions.
Im sorry, whatever you think, Trance post 95 on the whole really is bad bad music and considered a joke by almost everyone into credible electronic music.
They played progressive house from 93 onwards not the sort of trance ...
They played progressive house from 93 onwards not the sort of trance obomination that the likes of PVD, Corsten and Tiesto were crapping out. Before that they played House and Garage oldskool stylee, I know I was there reguarly.
Im sorry, whatever you think, Trance post 95 on the whole really is bad bad music and considered a joke by almost everyone into credible electronic music.
This sums it up for me:
[YT]xjboMouWJIE[/YT]
Can you explain how Sasha managed to produce a well known trance track in 1999 and Digweed the same in the same year if they were both playing progressive house?
Directly post 1993, Tiesto was an unknown, van Dyk was playing and producing techno and commercial pop (there is no other way to describe "Pumpin' This Party" and its ilk); and Corsten wasn't even heard of under his own name.
Whats seen as "credible" is only seen as credible by those that follow it. In this case you don't even seem to know the basics of what you're blabbing about so I can't take your definition of credible as being worth anything. Get a grasp on reality and do a LITTLE research before coming back with more crap, thanks.
Are you trying to tell me Sasha and Digweed werent playing Progressive House? Dont be a complete muppet. The entire rennaisance scene was based on progressive as were the Northern Exposure nights and they then toughened up with their Fabric residency which became bordeline techno.