Yard Act remind me of most 90s dreadful support acts
I shouldn't have shared my hatred, I think I was driven to it by the constant rotation of them and the new Elbow track on 6music the last two weeks. I almost wish I was being forced into the office soonerNot a fan then?
I shouldn't have shared my hatred, I think I was driven to it by the constant rotation of them and the new Elbow track on 6music the last two weeks. I almost wish I was being forced into the office sooner
I
How is he problematic?
Thanks, I had not heard this ( or much about him for the last ten years) I think I will just stick to playing Attack of The Grey Lantern every 5 years or so and remembering what it was to be 15 againThreatening behaviour to music journalists, abusive phone calls and online messages to women etc etc.
There's a reason why virtually no established outlets have reviewed his latest album.
Thanks, I had not heard this ( or much about him for the last ten years) I think I will just stick to playing Attack of The Grey Lantern every 5 years or so and remembering what it was to be 15 again
Having listened to it a few times, the new Black Country, New Road album is superb, and probably my favourite release of 2022 so far (long way to go I know). When they said they were going more Arcade Fire, I was a bit worried they'd stray from the original Sunglasses sound. But its a fantastic emotional blend I think, with elements from so many different genres.
It's probably too early to say but, at present, Ants from Up There by BC, NR is sounding like an album of the decade for me.
Recently got and am enjoying immensely the new outings from Big Thief and Binker & Moses.
It's probably too early to say but, at present, Ants from Up There by BC, NR is sounding like an album of the decade for me.
Recently got and am enjoying immensely the new outings from Big Thief and Binker & Moses.
unpredictable but immaculately constructed, ‘fault lines‘ sonically interprets the search for calm amid the cosmic headf*ck of today’s world.
a complex confluence of kraut, post-punk, noise & ambiance, it‘s a colossal body of work!
there’s an addictive dissonance to the new offering from the toronto-based now-duo (previously a quartet) of kyle knapp & julius pedersen that projects them way beyond anything they have put out before. full of menace, metallic riffs, caustic vocals & dynamic shifts, it’s also poetic, hypnotic & reassuring. it’s easy to hear why this lot are tourmates of our beloved squid.
from the eerie, cinematic, sermon-like opener ‘memorial’ to the potent, squalling, repetitive doomscapes of ‘body & soul‘, to the spiralling kraut-chug of ‘creedence…’ that leads into the immersive triplet of ‘amulet’, ‘x-neighbourhood’ & ‘syndicate ii’, right through to the celestial ambiance of the appropriately named closer, ‘mirror of hope’, this is, to our ears, a stroke of genius.
nat’s already making “album of the year“ mutterings as she sticks this on her headphones for the umpteenth time!