Yes. Yes it is.
A singer from the 80s who should have been much better known - Pete Wylie.
That's the fella. His backing vocals on The Farm's 'All Together Now' are sublime.
A bit of Bros trivia for you. Their haircuts from that time were modelled on Kirk Douglas' haircut in the film Spartacus.
And if you're gonna get all 80s pop, I give you the magnificent...Haircut 100.
Got another - Budgie, which probably may be a bit heavy, great three piece from Wales saw them at the Brighton Top Rank. Another from that time Nazareth who I also saw there. Be-Bop Deluxe a few years later at the Brighton Centre, Axe Victim a great album, especially the track No trains to Heaven.
Assuming we means bands that weren't unheard of or never charted, I give you XTC. Had a few minor hits, but influenced so many future bands. I'm sure anyone who saw them live would put them right up there with the best. They changed songs almost every time they played them live, adding bits, re-ordering them, and merging them into other songs. A truly fabulous thing to experience.
Definitely a band who in an ideal world should've, could've, would've....
Wasn't stage fright a major factor in them splitting up?
It's difficult to say who is the most under-rated ever. I don't think I could even define under-rated but if pushed I'd start off with:
The Wave Pictures
Asobi Seksu
JJ (A Swedish dream-pop band that I still adore)
Everything But The Girl (they had success and still enjoy it as solo artists/DJ/record label owner but I still think they should have got more recognition)
The Godfathers
...a couple of Brighton bands:
Frazier Chorus
Fujiya and Miyagi
A German band: 'Hundreds'
https://www.youtube.com/watch?v=yZqCI7FlyvA
but I'll say the pick of the bunch is Canadian singer Frazey Ford. If you're a fan of Beth Orton then you NEED to get into Frazey.
https://www.youtube.com/watch?v=PXRrySTujn8
Seriously - how good is that song? On a scale of 10-11 - it's a 12, right?
Andy P had mental health issues which manifested itself in a fear of going on stage.. His (then) wife threw away his medication before a gig and told him he didn't need it. Bit of a breakdown and no more live shows. Funnily enough, he always seemed to excel when they played live. I have a few live bootleg recordings to remind me just how good they were. Remember them playing the Top Rank when there was a power failure and they came on and played "unplugged".
Are you referring to the guys who did one album on Elton Johns label?? If yes, they were bloody brilliant!
The Go-Betweens - pop’s best kept secret.
OK I follow, now.
The first music I heard that excited me was Telstar by the Tornados. I was three. It is still an amazing track. So, I saw the Beatles emerge as a thing. As a 4 year old, I remember the TV programme saying 'coming up later the Beatles'. I was so excited. Then, guess what, it was string puppet Beatles singing in pinky and perky voices. I felt so let down. But still, there were the songs. Love you yeah yeah yeah. As I got older I slowly forgot them. Late 60s brough in real cutting edge rock music. There was other pop music. Somehow the Beatles, who never toured any more, seemed a bit old fashioned. The long hair and moustaches all looked manufactured. And I still remembered them in the suits. When I was five, I had bedroom wallpaper with them in their suits. I was expected to like them.....
Many years later I met my best buddy who, in the 60s, saw the Beatles more than 20 times at the Cavern, with Cilla taking the hats and coats. He saw their last ever gig there....
So I bought some stuff and put it on the iPOD. I gave it a fair hearing. But....a few months later I took it all off my iPOD. They and the Arctic Monkeys are the only two bands I have ever taken off my iPOD. I have more than 16,000 tracks on the iPOD......
So for me the Beatles are easily the most overrated band in the history of music. Them and britain's biggest selling solo artist (Cliff Richard) can do one as far as I am concerned. Sorry!
What a fantastic band they were. I always thought The Belle Stars had the talent to go further but they never stood a chance with the way their record company Stiff Records managed their female artists. At the very height of their success they were on a fixed wage of about £50 a week I seem to remember reading. No wonder Kirsty MacColl fell out with Stiff.