beardy gull
Well-known member
Wild Beasts not on the list is a strange one for me. I think Yuck could have been on there too.
Wild Beasts not on the list is a strange one for me.
The James Blake album confuses me.
Adele can f*** off.
No Hotel Shampoo?
These are this morning's thoughts on this.
Wonderful review of Gruff's Harrowgate gig in today's Guardian. It will make you chuckle.....and totally sums up Gruff.
"The biggest array of talent since Woodstock, but in one person" is how the Harrogate international festival fringe announcer introduces Gruff Rhys. High praise somewhat at odds with the bearded, jacketed figure who shuffles on looking like a 1970s geography teacher who has misplaced his notes. "I've left the metronome in Cardiff," begins the Super Furry Animal and solo artist, explaining that someone in the audience has lent him one but the settings on it are different. "So if this song is a bit faster … " Moments later, Rhys looks panicked as the song hurtles along: "It's definitely faster!" The audience erupts.
So begins a wonderful 90 minutes with the maverick Welshman, part wistful singer-songwriter, part bone-dry comic. "The stage is tilting," Rhys declares. "I feel like I'm on the edge of a precipice." With sweet melodies hailing from his Candylion and Hotel Shampoo albums and The Terror of Cosmic Loneliness, a "really heavy" album he made with a Brazilian TV repairman, no one else makes music like this. His wry commentary on foreign policy, Colonise the Moon, includes the line: "I vomited through your saxophone solo." He sings in Welsh and English, produces a sign requesting "APPLAUSE!" and is backed by bird song and malfunctioning electronic gadgets: a Welsh Nick Drake meets Mr Bean.
"Maybe I should sit down again and do another song," he chuckles as the sampler seizes up, so he plays the beautifully bittersweet Rubble Rubble. Then the organisers hand him a cake for his 41st birthday. Someone in the audience produces a tiny penknife and Rhys hacks into the cake determinedly, and shares it with the crowd
She's got a chance I think. Personally, I'm not a fan of 21 and despite it being a well-produced album with the expertise of Rick Rubin, I'm hoping Adele doesn't walk away with the award.
I'm just a bit disappointed with the list as a whole to be honest. A lot of very exciting albums that in other years may have well been considered have been overlooked in favour of far more "safer" options (such as past winners PJ Harvey and Elbow and chart-topping Adele and Tinie Tempah).
This award always used to look towards something innovative (Roni Size, Talvin Singh or Anthony & The Johnsons, for example), but now it's almost evolving into a Brit.
As for the judges favouring outsiders winning, I'm not so sure they do. It depends on what you class as an outsider - an album that's had limited commercial success or what the bookies think.
Either way, if we're talking artists who haven't been successful, both Franz Ferdinand and Arctic Monkeys won it on the back of their best-selling debut albums in recent years and as for betwise, the last two years have seen the favourites come out on top.
Who knows what criteria or process the Mercury bods use to determine the nominations. Like record shop top albums of the year, I tend to take them at face value ie the thoughts of a very small group of people. The only rule the Mercury panel seem to have is 'include an obscure nu-jazz album.'
But, this is not a criticism. Part of the fun is the discussion and fall out.
My music views range from reasonably informed (I hope) to utterly out of touch (new Memory Tapes long player...I'm on my own with this it seems) and often u-turning. I think I'd make a good panelist somewhere.
Also, The Horrors. Where do people stand on them? They come across as a Shoreditch Twat invention.....but they knock out some great tunes these days...which kind of makes them frustrating. Moving Further Away is the best piece of spacey Kraut/psych rock I've heard in years. It's truly glorious.
Shoreditch twat invention seemed to some them up to a tee.
I try and try but just can't get into his remix of the last Scott-Heron album. It sounds a pretentious mess to my ears.
Shoreditch twat invention seemed to some them up to a tee. Then Cat's Eyes (Faris Badwan & Rachel Zeffira - Canadian opera singer) released a beautiful record and I thought I'd try them out.
Still not too sure about their early stuff, but Primary Colours and even more so Skying are mighty fine albums.
Horrors are terrible live so I can't really be arsed to get the new album.
I see in the Guardian yesterday that Paul Weller felt the same as me that Erland and the Carnival should have been nominated. I thought Stornoway should definitely have been in the list as should Tricky. His album was a real return to form and as good as Maxinquaye, if not better. I don't think Mark E Smith has ever been nominated yet he continues to craft wonderfully creative albums, his last being a case in point. I wonder what he makes of the prize though. I'm equally baffled as some are on here that Wild Beasts weren't nominated but there's still a strong list in parts.