- Jan 18, 2009
- 4,885
1) Yeah, my bad. But the problem which most people don't realise is that drill is being censored. Quite severely, too. Not only is it almost entirely whitewashed from mainstream radio (We're taking about 35m+ views on some songs that never seen any radio play because of the genre) but the Met police also pressure Youtube in to deleteing tracks that they feel incite violence. As (probably) the NSC expert on UK Hip-Hop it's a weird situation. You have young men talking about a life where they end up in gangs where they make money from drug dealing and general gang related crime so the police delete it. It's such a backwards mindset. "You're talking about stabbings, which could give you a way out of that kind of lifestyle, so we're going to block you from exploting this talent because we're worried it incites violence... and now you're back to needing to make money through violence." It's entirely backwards.
There are so many success stories to come out of the U.K but the Met Police are actively trying to close down a genuine route out of the hood for a lot of people. It's backwards to me, and so when people obviously don't fully get Drill I'm more than happy to give the opposite view. There's a reason a subgenre that is hidden from the mainstream media is still going from strength to strength. It's arguably the biggest musical export the U.K has had in years - the British drill sound is world wide now, even in America where our rap scene is seen as a joke.
1.5) If black people want to reclaim a word that was used to opress them for generations, then I'm not sure it's anyone elses business to tell them they can't. I understand the 'everyone can say it, or nobody can' mindset, it does make sense at first but my way of looking at what it is, there's things I'd say about family members when they've annoyed which if anyone else said I'd lose the plot. We all have things we can say but others can't!
2) If you've checked out the lyrics then you should have seen that the lyrics you're quoting are from the guest verse by Skepta. Maybe I'm being pedantic, but it's not fair to claim K&K said something when they didn't actually say. I can get people sneering at lyrics handpicked to make them look bad (despite some genuinely brilliant lyrics in the discography). I also think any muscian making a political point is a good thing. People can't both be annoyed that they only rap about women and other sterotypes but then ignore a lot of their storytelling tracks and moan when they say anything political!
1) As I said as a general rule I don’t support censorship/prohibition. If this music is what people want to hear, fine. If kids like K&K make a good living too, happy days.
1.5) I don’t buy it, it’s way too convenient an argument. To the vast majority “nigga” in any derivation will be deeply offensive, due to its baggage. As we are all too aware that baggage is being opened today by every establishment going, including the FA, so it’s inconceivable really that K&K are fronting the England team anthem.
It’s equally inconceivable that K&K can talk earnestly about racism when they use that term so heavily in their music. That is not to mention the strident sexism etc. which is equally an area that the FA are keen to paint themselves as saintly in. I have to say I was surprised just how “offensive” some of their music is, and how mainstream they are. I know that may seem like a stereotypical grandad moan, however given the puritanical times we live in, with race, gender equality etc. their music certainly pushes against the grain.
Frankly, black British people need to make the call on whether it’s offensive or not and we can abide by that conclusion otherwise we get into an unholy mess about its offensiveness. Future young cricketers livelihoods may well depend on it.
2) yeah you are, but like I say I am not for censorship, if K&K want to call Brexit supporters niggas they can knock themselves out as long as I can call Remainers out as niggas. Nothing wrong with that surely?