CorgiRegisteredFriend
Well-known member
1990 at the Royal Court in Liverpool for me. I may have been me and my now wife's first proper date. I know how to treat a lady.
They played at The Haunt a few months ago. Did you go? I gave it a miss.
1990 at the Royal Court in Liverpool for me. I may have been me and my now wife's first proper date. I know how to treat a lady.
They played at The Haunt a few months ago. Did you go? I gave it a miss.
No, I find that seeing bands 20+ years later can only spoil the memories.
I was never a massive fan, but they certainly seemed to play the hits with a lot of enthusiasm and energy. Some of my mates there are massive Bis fans and described the set as "absolutely awesome". Bis also hung around afterwards and signed records and chatted and were generally all-round good eggs. Manda Rin is about 6 months pregnant and seemed to be reminding herself that jumping up and down flinging herself around the stage probably wasn't sensible.Were bis good tonight?
In some cases I agree. The Wedding Present as good live now as they were when they started. Different line up though.
Incidently- been listening to The June Brides a lot recently and did not fully realise they had only five vinyl releases one of which was the mini album. Still got Disneyland up there as my favourite but We Belong sneaking into second and I Fall in third. I seem to remember Phil Wilson going solo once they split.
Wholeheartedly agree. I generally find myself wondering what the moitivation behind the band reforming is / was, and then curse them for mucking about with cherished memories. It's worse with a band I used to love, not so bothered when it's a band I used to feel a tad 'meh' about.No, I find that seeing bands 20+ years later can only spoil the memories.
I seem to remember Phil Wilson going solo once they split.
He still makes solo records. He went country early on but his latest stuff's quite June Bridesy: http://www.amazon.co.uk/God-Bless-Kennedy-Phil-Wilson/dp/B0045K0LG4/ref=sr_1_1?s=music&ie=UTF8&qid=1375173093&sr=1-1&keywords=phil+wilson
He still makes solo records. He went country early on but his latest stuff's quite June Bridesy: http://www.amazon.co.uk/God-Bless-Kennedy-Phil-Wilson/dp/B0045K0LG4/ref=sr_1_1?s=music&ie=UTF8&qid=1375173093&sr=1-1&keywords=phil+wilson
Thanks. Useful review there too. Seem to remember now that he took a country direction. I never listened to any of his output though.
I read the Guardian's piece on Stella Creasy, MP, after enjoyng her annihilation of Toby Young on Newsnight this week (http://www.youtube.com/watch?v=RE8W6pTGRj4 ).
I came across this paragraph: "But Creasy also has hinterland outside politics, most notably a love of indie music, particularly the Leeds band the Wedding Present, for whose latest album she wrote sleeve notes about "the burning confusion of rejection" and "the way in which heartache eats you up inside".
I'm even more impressed with her now.
if anyone else wants a copy, let me know.
Two games, two losses. Let’s distract ourselves with music again.
Indietracks was bloody awesome. Again. As always.
Highlights for me were Tunabunny kicking up a racket; Frozy (partially straight outta Seaford) playing a beautiful, playful set in the church, directly followed by Fireworks playing a blistering, C86-drenched set. Lardpony were the best I’d ever seen them, The McTells were an absolute revelation, which is a shame as that was their last ever set, and Helen Love brought the whole weekend to a joyous end with infectious outbreaks of frenzied pogoing, wild jumping, massed air-punching, stage invasions, glitter cannons and mile-wide grins and beams.
Cars Can Be Blue were fantastically foul-mouthed, frantic and funny, whilst Fever Dream are going to become big hits with their taut, shoe-gazy darkness. I saw them again on Sunday in a much smaller setting (along with CCBB and Frozy) and they were just mesmerising. I think a lot of the people on the Live Music thread would love ‘em.
Biggest surprise to me was The Brilliant Corners who I always kinda liked, but sounded absolutely fantastic, super-tight, tough and swaggering. One of the best sets of the weekend.
There are some great reviews here:
http://drownedinsound.com/in_depth/4146676-indietracks-2013--the-dis-review
http://eeveelife.eevee.co.uk/chords-and-cords-the-pop-paradise-of-indietracks
http://www.counterfeitmag.co.uk/festivals/indietracks-festival-2013/
http://www.musicomh.com/reviews/live/festival-review-indietracks-midland-railway-derbyshire
Right, I promised @hans kraay fan club a mix CD; I can see it expanding to be a double CD set. I’ll stick the track listing up soon (once I actually have it) and if anyone else wants a copy, let me know.
Now then, Derby, my manager's team. Must-win game!
I was never a big REM fan, although there's no doubting they have released some absolute corkers over the years.Anyone care to discuss REM? Specifically, early REM. Happy to discuss why late period REM were cack and also speculate about whether Murmur is better than Chronic Town. Don't fancy a chat about the mandolin on Losing My Religion (apols to Albumen if he DOES want to talk mandolin)....
Bingo Handjob sticks with me for some reason.
Anyone care to discuss REM? Specifically, early REM. Happy to discuss why late period REM were cack and also speculate about whether Murmur is better than Chronic Town. Don't fancy a chat about the mandolin on Losing My Religion (apols to Albumen if he DOES want to talk mandolin)....