Behind Enemy Lines
Well-known member
Many chose the latter.Alex Turner understands it perfectly well. He played the set and performance he wanted to play. It wasn't an AM greatest hits, it was an AM this is us, take it or leave it.
Many chose the latter.Alex Turner understands it perfectly well. He played the set and performance he wanted to play. It wasn't an AM greatest hits, it was an AM this is us, take it or leave it.
Yep, and AM aren't the first and won't be the last band to want to do it their way headlining a festival.Many chose the latter.
But this isnt A festival, its THE festival. To just play pretty much your tour set list half cocked (or full cock) is a shame IMHO.Yep, and AM aren't the first and won't be the last band to want to do it their way headlining a festival.
I think the Cure got it right. Played what they wanted to for the first half, short break and then wall to wall hits. Robert seemed to enjoy it a lot more than he expected.But this isnt A festival, its THE festival. To just play pretty much your tour set list half cocked (or full cock) is a shame IMHO.
Agreed, and I was on the rail for that! He seemed to absolutely love it (which is saying a lot for Mr Smith!).I think the Cure got it right. Played what they wanted to for the first half, short break and then wall to wall hits. Robert seemed to enjoy it a lot more than he expected.
I don't think it's hate, I thought it was a good set and performance, but I also get the view that the truly great 'Glastonbury' performances are an equal exchange of emotions between audience and performer.I thought the Arctic Monkeys and Alex Turner were very good. I really don't get all the hate
As my note above, the really successful Glasto performances are those where the performer genuinely enjoys the moment. Crowd feel special, performer feels special, elevates the whole thing.I think the Cure got it right. Played what they wanted to for the first half, short break and then wall to wall hits. Robert seemed to enjoy it a lot more than he expected.
Yep def not hate from me, just didn't like the perceived made it rock star arrogance that he seemed to portray combined with the complete disengagement from the crowd.I don't think it's hate, I thought it was a good set and performance, but I also get the view that the truly great 'Glastonbury' performances are an equal exchange of emotions between audience and performer.
Those memorable performances are the ones where that exchange really takes place. The one that really sticks out for me was Lionel Richie in 2015, I think he genuinely thought he was just coming out to a few thousand people sat around on a Sunday afternoon and was greeted with 100k people going nuts to his tunes - he was visibly bowled over by it and the crowd were delighted he was.
The only real measure is the reaction of the crowd on the hill. And they looked bored stiff.I thought the Arctic Monkeys and Alex Turner were very good. I really don't get all the hate
The only real measure is the reaction of the crowd on the hill. And they looked bored stiff.
Totally unfair to compare, but let's do it anyway.
THIS is how you f**king rock the Pyramid Stage. Sunday evening, 1999 (before headliners)...
The only real measure is the reaction of the crowd on the hill. And they looked bored stiff.
Totally unfair to compare, but let's do it anyway.
THIS is how you f**king rock the Pyramid Stage. Sunday evening, 1999 (before headliners)...
The only real measure is the reaction of the crowd on the hill. And they looked bored stiff.
Totally unfair to compare, but let's do it anyway.
THIS is how you f**king rock the Pyramid Stage. Sunday evening, 1999 (before headliners)...
Bet it was carnage in the mosh to Sheeran in 17?!Does seem better in the old days (did 8, my last was 2017) - much fewer massive flags and an active audience. Big crowds at the Pyramid recent years but so many giant flags and a stautesque crowd. (But that's me getting old I imagine).
The only real measure is the reaction of the crowd on the hill. And they looked bored stiff.
Totally unfair to compare, but let's do it anyway.
THIS is how you f**king rock the Pyramid Stage. Sunday evening, 1999 (before headliners)...
Or mobile phones, of course.That crowd bouncing looks the part, no look at me types posing on people’s shoulders and hardly any flags.
Funny you say that . . I was watching some super 8 footage of 1994, Paul Weller, I was there, apart from the fact some mates were camped half way up the current crowd back then, the most noticable thing was no flags.I just hope they ban the flags next year. Awful experience for anyone not within 30 metres of the stage.