Does he make it?I’ve read it. Not bad but a predictable ending
But that's the point of writing surely? Any detective story could be summarised as A killed B, detective C found out how and why. The End.If by "brilliant wordsmith" you mean "verbose bore who never says anything once when he can say it 50 times using as many words as possible", then I'd be forced to agree.
No, that isn't what I meant.If by "brilliant wordsmith" you mean "verbose bore who never says anything once when he can say it 50 times using as many words as possible", then I'd be forced to agree.
Moby Dick, 200 pages in where’s the frigging whale?
Catch 22, just couldn’t face another page of utter drivel
And ones I dragged myself to the end of out of sheer willpower
The Famished Road by Ben Okri - just very weird, born in the wrong continent probably
Candide by Voltaire - dire, born in the wrong century I guess
Catch 22 - 4 attempts haven’t got past page 50ish.
No, the point of writing is not to pad out the page with so much inconsequential dross that any memorable line begins to seem less the product of a writer's imagination and more the inevitable product of random chance.But that's the point of writing surely? Any detective story could be summarised as A killed B, detective C found out how and why. The End.
George Orwell is excellent on this. His essay on Dickens is well worth a read. He explains how Dickens can take a simple story, first told by the ancient Greeks and consisting of about 30 words and expand to a thousand word discourse by Sam Weller, full of comic detail. He presents memorable characters - look at the way that Scrooge has become a universal word for an old miser. Or the way that a truly horrible school is Dotheboys Hall. Or a gangleader who exploits children is a Fagin. These have all become part of everyday speech and it's because of the pictures that Dickens has created, because, yes, he's a brilliant wordsmith.
Somehow, I struggle to imagine Dickens ever making a story shorter.Dickens can take a simple story, first told by the ancient Greeks and consisting of about 30 words and expand to a thousand word discourse
Candide by Voltaire is wonderful! In English or in French…… in my opinion.Moby Dick, 200 pages in where’s the frigging whale?
Catch 22, just couldn’t face another page of utter drivel
And ones I dragged myself to the end of out of sheer willpower
The Famished Road by Ben Okri - just very weird, born in the wrong continent probably
Candide by Voltaire - dire, born in the wrong century I guess
I'm not sure how anyone can be defeated by Candide: it's very funny and very short - there are NSC threads that have a longer word count than CandideCandied by Voltaire is wonderful! In English or in French…… in my opinion.
1984 is one of my favourite books and Orwell was a great author, but I disagree about overly detailed writing, stripped to it's absolute minimum is true art on the page imho. Thriller writer Gregg Hurwitz, my literary hero, is a master of this, never uses an 'and' or 'said' if he can get away with it, Hemingway another advocate, although I don't particularly like his stuff. Good descriptive writing, whether characters or scene setting can be achieved succinctly, Lee Child isn't bad at it either.But that's the point of writing surely? Any detective story could be summarised as A killed B, detective C found out how and why. The End.
George Orwell is excellent on this. His essay on Dickens is well worth a read. He explains how Dickens can take a simple story, first told by the ancient Greeks and consisting of about 30 words and expand to a thousand word discourse by Sam Weller, full of comic detail. He presents memorable characters - look at the way that Scrooge has become a universal word for an old miser. Or the way that a truly horrible school is Dotheboys Hall. Or a gangleader who exploits children is a Fagin. These have all become part of everyday speech and it's because of the pictures that Dickens has created, because, yes, he's a brilliant wordsmith.
Hemingway of course is notorious for using "and" as often as possible.1984 is one of my favourite books and Orwell was a great author, but I disagree about overly detailed writing, stripped to it's absolute minimum is true art on the page imho. Thriller writer Gregg Hurwitz, my literary hero, is a master of this, never uses an 'and' or 'said' if he can get away with it, Hemingway another advocate, although I don't particularly like his stuff. Good descriptive writing, whether characters or scene setting can be achieved succinctly, Lee Child isn't bad at it either.
You think so? I gave up ages ago.This has been a really interesting thread…
I agree on Catch 22 and Candide; really surprised to see them mentioned. Dickens is also one of my favourites, but I can see why modern readers might find him a bit heavy going.This has been a really interesting thread - despite three of my favourite writers (Dickens, Hardy and Joyce) featuring prominently.
A few surprises though. Amazed at the mentions for Catch 22, a very funny book that grabs you from the first line and, as mentioned, surprised to see Candide there.
It's the writers omitted that are more interesting. Only one mention for that prize bore, Henry James. And no mentions at all for Proust. I really like his work but nine volumes to say not much in particular can lead some people to distraction.