Friends that have stuck with mirror have all said it’s fantastic so will endeavour to give it another crack..good luck!This is exactly where I am. In fact I’m re-reading Bring up the Bodies again right now as there is just so much in it that it deserves a second read.
I have a copy of the Mirror and the Light but have delved into it yet…
Bloody SouthernersBut are highly rated
Ulysses, Wolf Hall, Paradise Lost and Captain Corelli‘s Mandolin for me
Yes I know I am a peasant/philistine
I know some people who NEVER give up on a book, my wife is one of them, you?
If you have ever lived or worked in the countryside (by that I mean 'countryside work', like a week in the rain hedging, walking home to an open fire in a cottage and a steaming mug of tea type of thing) then Hardy is so evocative of a way of life that existed in the past. Just his descriptions of walking the highways and fields makes me wish I was back outside doing 'proper' work again.
I really like Hardy - although as you say, they are not the easiest read. The Woodlanders I loved, even though it's one of the saddest. I picked up a copy in a second-hand shop, then found that it was part of a library that travelled with the Strathcona's Horse (Canadian Mounted Army) on their voyage to the Boer War in 1899 on the SS Monterey. I found this picture online of the journey - one of these fine fellows may have read my book!
We had to read it for uni - I don't blame them in the slightestMany years ago, a couple of old drinking pals of mine had a copy each of Being And Nothingness by John Paul Satre. They'd both failed to get anywhere with it and devised a wager: if one of them managed to read the entirety of the book (and could prove they'd understood it to some degree) the other had to eat their copy as a forfeit.
Same thing happened to me with The History of Glue- couldn't put it down.
You got lucky - it's the most harrowing end of a book I've ever read.A friend gave me Jude the Obscure because I reminded her of Jude, didn't finish that.
I don't recall the start being that great either. I got as far as the children on coat hooks ...You got lucky - it's the most harrowing end of a book I've ever read.
The trouble with any version of Ulysses is that every paragraph, in fact almost every sentence, contains references — cultural, religious, political, literary, historical —that need or deserve exploration and explanation. This complexity and richness is largely why it’s considered a masterpiece. It’s staggeringly 'intellectual'. The reason I’ve struggled to make inroads into Ulysses is that I’ve always felt I can’t just skate over all of these hidden meanings. I need to understand them.Delighted that I’m not only one to have struggled with Ulysses - I’ll try the audio version